Joker – Some Points
1. Somasundaram is (again) one of Koothu Pattarai’s great gifts to Tamil cinema. This man deserves accolades at several levels. I fervently hope he does not get misused by the film industry like that other great Koothu Pattarai product, Pasupathi.
2. This movie shows how political satire must be made. Except maybe for MR Radha’s performances, this movie is an exemplar of the genre.
3. Strength: The story, the actors. It is really tough to elegantly play the role of a mentally unstable person who thinks that he is perfectly normal. DiCaprio did that in Shutter Island. Somasundram does it here. Madness plays in the iris of his eyes and on the corner of his lips.
4. Crux: The toilet. Normally, the suppressed, ‘dirty’ aspect of a caste society, the toilet is the center of this movie. The director’s genius is revealed here.
5. Flaw: The pedantic dialogue of Mu Ramasamy in the climax. His “religion is evil, caste is evil, politics is evil” perspective makes it look like AAP propaganda. The movie should have ended with Somasundaram’s death.
6. Comment: Someone should send Slavoj Zizek a subtitled copy of Joker. He may write a chapter on how not only Somasundaram’s character of Mannar “a beggar who believes that he is a king” is delusional, but ha ha, even the king who believes that he is a king is delusional. That is, psychopathology is not a obtrusion in society, but its core. So maybe, it is not just Mannar who believes that he is the President is mad, even the President who believes that the politics of development has delivered is also mad. And so on and so on. And so on.
7. On a serious note: Look at it this way. Mannar thinks that the President is a post that has power. The President knows that the post has no real power, but acts as though it does. So who is the Joker?